6/12/2023 0 Comments Rod stewart boom boom boom lyricsMaggie Bell’s harmonies here are exquisite - especially when she sings “ com-pleeeeete” - to the point where it might have distracted Rod, who comes in a measure too early on “ look how wrong you can be” and then catches himself. I firmly believe that I didn’t need anyone but me First off, Rod’s got some vocal help now: Maggie Bell from the band Stone The Crows joined on on “ claimed that it just ain’t natural“, then as he’s proclaiming how glad he is that he found Shanghai Lil, a piano comes swooping in, as well as more electric guitar and then, as Rod sings “ wait a minute” all of the momentum starts crashing down until it’s just Rod, Maggie and an acoustic guitar and my favorite moment in the entire song. Lots of things are happening in this verse. It’s at this point where the first electric guitar comes in - a stinging lead from Ron Wood that sets up each of the next two verses: Rome, where he isn’t getting laid and then Peking, where he falls in love with Shanghai Lil, the problematically described “ slit-eyed lady” who kinda helps him get his shit together. Got arrested for inciting a peaceful riot In between the verses, though, it’s a completely different thing: when Rod screams “so I got out!!!” it’s just straightforward bashing, while Ronnie Wood starts riffing on his acoustic guitar, setting up a short and narsty tom roll right into Paris, where Rod is having some issues. The upshot of this is to give the initial verses of “Every Picture Tells A Story” a feeling of weightlessness, like they’re continually trying to float off of the ground and being pulled back towards the earth. So, while Rod sings “ spent some time feelin’ inferior” Waller is doing “boom-bah, boom-boom-bah,” he then switches it up to “boom-bah-bah-boom-bish, boom-bah-bah-boom-bish,” then basically back to the straight beat for “standing in front of my mirror.” But in between the first and second lines, he’s alternating a straight backbeat with a double backbeat and hitting his cymbals at all the wrong places and doesn’t get back on the beat until the first line of the next couplet. On the first line of every couplet, he’s bashing away. He comes crashing in on “ spent” and while Rod’s singing the verses, his drumming is nearly indescribable. I wouldn’t blame you if you wanted to leaveīut remember one thing don’t lose your head Every single morning.īecause at 16, I needed a daily fix of this amazing, incredible song, which after an initial descending acoustic guitar lick, jumped into a tale of a life that seemed so, well, real.ĭaddy said, “Son, you better see the world But I bought this one.Īnd soon, I was listening to “Every Picture Tells A Story” every morning before I went to my junior year of high school. I mean, I never ever ever bought used vinyl. I think it was on Blackstone between Clinton & McKinley, and they were selling a used vinyl copy of Every Picture Tells A Story for $0.50. I don’t know if I was by myself or with Tim or Craig or Larry. At least this was what I read in the Rolling Stone Illustrated History of Rock ‘n’ Roll.īut one day I was at a record store that I didn’t usually go to. I think it was late 1978 or early 1979, and I’d been reading about how Rod Stewart - then the purveyor of ballads like “Tonight’s The Night,” trash-rock like “Hot Legs” and the dread “D’ya Think I’m Sexy” - made a bunch of records in the early 1970s that were totally amazing, and the most amazing was the one that had “Maggie May,” which I’d gotten sick of on the radio years before. Or it might very well be “Every Picture Tells A Story.”Įxactly how “Every Picture Tells A Story” came into my life is a bit fuzzy. I mean, it might be “ Answering Machine” or “ Left of The Dial” or “ Ceremony” or even “ The Swish.” Choosing your all-time favorite song when you’ve written 2000 posts about your favorite songs is a fools game.
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